Recent Posts

  • Sparkling Marie Antoinette: Irreverent Rider of Donkeys

    Sparkling Marie Antoinette: Irreverent Rider of Donkeys
  • The Vanishing Point of Lightness: Michel Henriquet on Equestrian Art

    The Vanishing Point of Lightness: Michel Henriquet on Equestrian Art
  • Music and Riding

    Music and Riding
  • Magnum Opus – Coming Q4/2024 & Q1-Q2/2025

    Magnum Opus – Coming Q4/2024 & Q1-Q2/2025
  • Glorious Horsemen: The Legendary School of Versailles and Its Legacy for Equitation …

    Glorious Horsemen: The Legendary School of Versailles and Its Legacy for Equitation Today
  • The Ecuyer Cavalcadour…Patient Teacher of Young Horses

    The Ecuyer Cavalcadour…Patient Teacher of Young Horses

Sparkling Marie Antoinette: Irreverent Rider of Donkeys

[© 2026 Kip Mistral All Rights Reserved. Sketch of Young Marie Antoinette by Gabriel de Saint Aubin]

Artist Gabriel de Saint-Aubin captured her better than history ever did. In his quicksilver sketch, Marie Antoinette sits astride but turned in the saddle, glancing back over her shoulder as if the moment itself had surprised her. The lines tremble with movement. She is only five feet tall, her elegant little mount perhaps a Spanish jennet, yet unmistakably all horse: collected, light, and entirely attuned to her hand, ready to leap forward at her smallest whim.

It has always seemed to me that Marie Antoinette, born Archduchess of Austria and at age 14 married to Louis Auguste, Dauphin of France who would become King Louis XVI, is one of the misunderstood personalities of all time. To demonstrate, I’d like to write a little about her equestrian life which at one point in the young Dauphine’s world, became something of a story which should be remembered.

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The Vanishing Point of Lightness: Michel Henriquet on Equestrian Art

[Photo credit Frédéric Chéhu. Copyright 2005 Kip Mistral. Originally published in Equine Journal, October 2005]

Michel Henriquet on Equestrian Art:

The Vanishing Point of Lightness

In a day when classical dressage and competition dressage don’t always see eye to eye, Michel Henriquet still strives for the ultimate lightness in riding.
by Kip Mistral

“It is disappearing,” Michel Henriquet says quietly, looking across his dining table with a level expression that hints of sadness. It is the end of a day of talk about the rich history of “high” equitation in Europe. Pale mid-afternoon light filters through the ancient windows of Fief de la Panetière, the venerable 16th century house that he shares with his wife, Olympic and international Grand Prix champion Catherine Durand. The company has lingered long over the end of a superb luncheon while Henriquet speaks of the future of equestrian art.

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Music and Riding

Music and Riding

(Author unknown but believed to be an Australian who posted on an early website from 2002. Artist for the image also unknown; please advise if either are known.)

Music is often considered to be one of the highest art forms, due to its wholly abstract nature and yet uncanny ability to evoke emotions and feelings in the listener directly without the literal intervening use of words, paint or stone. It is that most intellectual of pursuits which demands the abeyance of the intellectual faculties for its enjoyment. This consideration of music is also due to its ephemerality; the moment a note sounds it is also disappearing into the abyss of silence which existed before it started, and which ultimately awaits every composition at its conclusion.

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Magnum Opus – Coming Q4/2024 & Q1-Q2/2025

Magnum Opus – Coming Q4/2024 & Q1-Q2/2025
[“View and perspective of Versailles from the Grand Courtyard” Gabrielle Perelle]
Magnum Opus: a large and important work of art, music, or literature, especially one regarded as the most important work of an artist or writer.

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Glorious Horsemen: The Legendary School of Versailles and Its Legacy for Equitation Today

Glorious Horsemen: The Legendary School of Versailles and Its Legacy for Equitation Today [PART 1 OF 2, 2 COMING SOON!] This “paper” was presented on September 10, 2024 at the virtual portion of inaugural Cheiron Journal conference “Horses in Our Heritage, Past and Future.” The conference was organized by Dr. Anastasija Ropa and Dr. Miriam A., Bibby, editors of Cheiron: The International Journal of Equine and Equestrian History. It was sponsored by the Latvian Academy of Sport Education and the Riga Stradinsh University.Conference. Doctors Ropa and Bibby, thank you for your professional courtesies and I hope to attend the next conference in person! K.M.]

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