Sherry Ackerman, PhD: Sacred Geometry and The Figures of the Manège [© Sherry Ackerman, excerpt from “Dressage in the Fourth Dimension”, New World Library, 2008. Used with permission of the author.]

Philosophy is written in this grand book—I mean the universe—which stands continually open to our gaze, but it cannot be understood unless one first learns to comprehend the language and interpret the characters in which it is written. It is written in the language of mathematics, and its characters are triangles, circles and other geometrical figures, without which it is humanly impossible to understand a single word of it; without these, one is wandering about in a dark labyrinth. 

~Galileo Galilei, Il Saggiatore (The Assayer), 1623

The earliest reference to dressage is found in the writings of the Greek historian and philosophical essayist Xenophon. Born in Athens around 430 BCE, Xenophon belonged to an equestrian family in the deme of Erchia. Early in his life, he had come under the influence of Socrates and had received schooling in classical geometry. Xenophon’s education led him to view geometry and numbers as components of the simplest and most essential philosophical language.

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Sherry Ackerman, PhD: Dressage in the Fourth Dimension

(© By Kip Mistral. Articles originally published in California Riding Magazine, October 2003 and November 2003, as “Opening to Transformation: Discussions with Dr. Sherry Ackerman, Parts I and II.”)

“I remember one day after several years of study, during which I thought I was progressing quite nicely, my teacher said, ‘Riding dressage is not like playing tennis. You can make your body learn the techniques and make your head learn the movements, but the dressage comes from inside of you. You really need to develop your inner life.’  This was a turning point in my life, a quantum leap in my conscious process. I began to understand that people rode the way they were, mentally, emotionally, spiritually, and that was why horses performed differently for different riders. As we open ourselves up to transformation, our riding improves.” (“Dressage in the Fourth Dimension” by Sherry Ackerman, PhD, Second Edition, published by New World Library, Novato, California)

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Walter Zettl: Up In Heaven…The Language of Harmony

(© By Kip Mistral. First published in Equine Journal July, 2007. Photograph Courtesy of Premier Equestrian.)

“Now…we take up the reins very carefully,” Walter Zettl speaks softly into the microphone. “The mouth is the most sensitive part. Softer…softer.” Here at one of Zettl’s winter clinics in Tucson, Arizona, the rider has been walking her horse on the buckle during one of the frequent breaks for the horse. We are all comrades in escaping the desert sun, and those of us observing have joined Zettl under the canopy where he sits to instruct.

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Michel Henriquet: For  the Pleasure and the Beauty

(© By Kip Mistral. First printed in Equine Journal May 2007. Photographs by Frédéric Chéhu unless otherwise noted.)

It is a beautiful fall morning at Le Fief de la Panetière, the 16th century estate and equestrian facility near Versailles that Michel Henriquet shares with his wife, Catherine Durand Henriquet. My Dutch friend, Ellen Schuthof, and I are spending a couple of days watching lessons given by Michel and Catherine in both the lovely outdoor court and the indoor manège. This is my second visit to the Henriquets and as in the year before, I am struck by the collection, balance and suppleness of the horses trained by Michel and Catherine.

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Michel Henriquet: The Vanishing Point of Lightness

(© By Kip Mistral. First published in Equine Journal, October 2005.)

“It is disappearing,” Michel Henriquet says quietly, looking across his dining table with a level expression that hints of sadness. It is the end of a day of talk about the rich history of “high” equitation in Europe. Pale mid-afternoon light filters through the ancient windows of Fief de la Panetière, the venerable 16th century house that he shares with his wife, Olympic and international Grand Prix champion Catherine Durand. The company has lingered long over the end of a superb luncheon while Henriquet speaks of the future of equestrian art.

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