John Richard Young: The Key to the Horse’s Mouth is Hidden in the Rider’s Hands

(© John Richard Young. Article first published June 10, 1991, Arabian Horse Express. Thank you to Yvonne Welz at https://www.thehorseshoof.com for this article via her John Richard Young archives. Painting, detail, Anbetung der Heiligen Drei Könige, Gentile da Fabriano (1370-1427 ).

One of the most skilled horsemen I have ever known schooled every horse that passed through his hands in a double bridle from the very first lesson under saddle. It made no difference whether he was starting a green colt or reforming a spoiled horse, or what the horse’s ultimate specialty was to be. He started and finished the training in a Weymouth bridle.

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Tressa Boulden-Linsley: In Tribute to Melissa Simms 11-19-52 – 2-14-18

(© Tressa Boulden-Linsley 2018. After meeting Melissa Simms in 1996, a pure form of classical dressage resonated with Tressa Boulden and especially her horses. From that time Melissa became Tressa’s mentor and a continual source of inspiration. At the point of Melissa’s recent passing, Tressa had studied with her over the course of more than 20 years. Here is Tressa’s tribute to her late teacher. Photographs Courtesy of Melissa Simms and Tressa Boulden-Linsley.)

On February 14, 2018 the equestrian world lost another “Keeper of the Grail” of classical horsemanship, Melissa Laura Simms. Heiress of Riding Master Herr Egon von Neindorff, Director of Training of his Reitinstitut for over 24 years, and English translator of his German book “The Art Of Classical Horsemanship”, Melissa passed away in Carlsbad, California after battling cancer for a good portion of a year.

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Manolo Mendez on Pirouette (Part II of III): Introducing the Walk Pirouette

(© Manolo Mendez and Caroline Larrouilh. First published Baroque Horse Magazine, July 31, 2013. Image Courtesy Manolo Mendez Dressage.)

How I Introduce the Walk Pirouette

To introduce the walk pirouette, several methods can be used.

Turn on the haunches: Some riders ask for a turn on the haunches and then make the turn smaller and smaller. Sometimes the term turn on the haunches is used to describe a pirouette. This is not quite correct. A turn on the haunches is different from a pirouette in two ways; it is asked for in a slowed medium walk instead of a collected walk, and the hind legs travel on a wider circle then what is required in a pirouette which requires the inside hind leg lifts and drops in the same footprint.

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Manolo Mendez on Pirouette (Part I of III): Principles of Training the Walk Pirouette

(© Manolo Mendez and Caroline Larrouilh. First published Baroque Horse Magazine, July 31, 2013. Image Courtesy Manolo Mendez Dressage.)

A correctly executed pirouette is a thing of beauty, a perfect storm of collection, impulsion, suppleness, strength and balance. At canter, it is one of the most physically demanding movements we can ask of our horse. It is a test of a trainer’s ability to develop self-carriage and a horse that is completely attentive and responsive to the aids…a horse filled with power and expression, yet focused and tension-free.

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Dr. Henri Louis Mari van Schaik: To the Threshold of Your Own Mind

(© Kip Mistral. First published in Equine Journal, August 2009. This article won a Second Place for Personality Profile in the 2010 American Horse Publication Annual Awards Program. Photographs courtesy of Sheila McLevedge.)

No man can reveal to you aught but that which already lies half asleep in the dawning of our knowledge…If he is indeed wise he does not bid you enter the house of wisdom, but rather leads you to the threshold of your own mind.    

      ~ Kahlil Gibran

An elegant silver-haired man and his silver horse proudly advance across still-green autumn grass, rusty-golden fall foliage rimming a field in the background. Rein gently slackened, the powerful horse in beautiful balance and collection, together they present the image of the quintessential ride… a moment of grace, of union between man and horse. The picture draws us in, symbolizing the quest so seductive to equestrians through time who have sought to share a moment of grace and union with their horses.

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