Book Review: “Dressage Principles and Techniques: A Blueprint for the Serious Rider” by Miguel Tavora

Book Review: “Dressage Principles and Techniques: A Blueprint for the Serious Rider” by Miguel Tavora

(© 2020 Kip Mistral. Images and excerpts used with permission of the publisher Xenophon Press.)

“The horse must always feel comfortable in all equestrian activities. This is how we show him our love and respect.” 

I read books about classical training and riding techniques all the time (and have even co-authored one), but I find “Dressage Principles and Techniques” by renowned Portuguese classical dressage trainer Major Miguel Tavora, published by Xenophon Press in 2018, to be extraordinary.

It is extraordinary because this author is able to teach a complete, well-illustrated program of basic classical equitation and training in great detail, and combine high seriousness about the importance of classical method and technique with repeated reminders to treat the horse with understanding, kindness, love and respect…all this written in simple and easy-to-follow language, in only 158 pages. Those 158 pages will take you from terminology and theory to first longeing to work in-hand to canter pirouette, piaffe and passage. Finally, here is the thought-provoking yet very useful book you really can take to the barn.

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Like a Magic Crucible

Like a Magic Crucible

(© Text by Don Juan Gómez-Cuétara. Detail of painting by Diego Rodríguez de Silva y Velázquez Felipe III, King of Spain 1634-35)

Like a magic crucible, wherein history and art are fused, the Spanish horse, our partner in love and grief, slave to our glory, is a horse at once fiery and docile, whose proud neigh proclaims to the world the beauty of his race, pride of men who are not prepared to abandon chivalry, dream of young men who refuse to accept a way of life which holds no place for him.

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Manolo Mendez on “The Importance of Riding the Whole Horse: Supple and Tension Free”

Manolo Mendez on “The Importance of Riding the Whole Horse: Supple and Tension Free”

(© 2011 Manolo Mendez Dressage. “The Importance of Riding the Whole Horse: Supple and Tension Free” by Manolo Mendez with Caroline Larrouilh. First published in The Baroque Horse. All photos by Kate Barber, artistic rendering of feature photo by Danielle Skerman).

“Bring the back up, bring the back up!!!”“Drive the hind leg under, more, more, MORE!” and “Make him more round, rounder” appears to be considered by a lot of riders to be the three keys to dressage. To achieve these goals they are taught to put the horse in a frame by pulling on the outside rein while kicking with the inside leg, often while keeping the horse in endless shoulder fore or shoulder-in. Instead of a flexible, supple and tension free horse, this approach creates stiff and crooked horses, with little enjoyment for their work, and eventually leads to soundness issues.

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Manolo Mendez on Pirouette (Part III of III) Introducing the Canter Pirouette

Manolo Mendez on Pirouette (Part III of III) Introducing the Canter Pirouette

(© Manolo Mendez and Caroline Larrouilh. First published Baroque Horse Magazine, 2013. Image Courtesy Manolo Mendez Dressage.)

The canter pirouette is a high level movement, a very difficult exercise that requires balance, suspension, suppleness, listening and collection from the horse. To have a good canter pirouette, we must have a good…canter.

We must have a pure three-beat canter and be able to collect and lengthen the horse’s body without struggle. We must be able to go from gallop to medium to collected, to very collected canter and out again without the horse losing power, balance or willingness.

Defining the correct canter pirouette

In the canter pirouette, the horse has to bend through his entire body and spine in the direction of travel for six to eight strides. He has to turn on a small diameter circle and his inside hind leg has to act as a pivot, lifting and dropping in the same hoof print with every stride. His outside hind leg has to travel on a bigger diameter circle around the inside hind leg.

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Sylvia Loch on the Iberian Horse: Generous Beyond Belief

Sylvia Loch on the Iberian Horse: Generous Beyond Belief

(© Kip Mistral. First published in the Spring 2004 issue of Horse of Kings magazine, and in May 2008 in the Equine Journal. Photograph of Sylvia and her beloved Lusitano stallion Prazer, courtesy of Sylvia Loch.)

“The Lusitanos have taught me everything,” exclaims Sylvia Loch warmly, when asked what she has to say about the Iberian horse. Being an internationally-recognized classical rider, trainer, and judge and internationally published author of numerous books and videos on classical riding, she is considered an authority in matters of the Iberian horse and particularly of the Lusitano from Portugal. And the glow in her voice emanates not just from her knowledge but from the depth of her love for these fine horses that she just cannot live without…

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