(@ 2003-2018 Lynne Sprinsky Echols. This excerpt from Chapter One is used with the author’s permission and and the entirety will be posted in a series. The author describes in fascinating detail the three months that, along with her friend Meredith, she spent in intensive training with Herr Egon von Neindorff at his world-renowned riding school in Karlsruhe, Germany…in search of “a good seat”. Feature image “The Imperial Riding School” (1702) by Johann Georg Hamilton.) See Part II here: https://www.kipmistral.com/a-good-seat-three-months-at-the-riding-institute-von-neindorff-by-lynne-sprinsky-echols-part-ii-in-the-series/ and see Part III here: https://www.kipmistral.com/a-good-seat-three-months-at-the-riding-institute-von-neindorff-by-lynne-sprinsky-echols-part-iii-in-the-series/.
Saturday, February 1, 2003
We arrived in Karlsruhe at almost midnight yesterday. We’d been up for 48 hours straight and were cold, tired and hungry by the time we finally got to bed. The trip did not go smoothly – and that’s an understatement!
(© Rose Caslar 2017. “Dressage Sabbatical: A Year of Classical Riding at Lost Hollow Farm” published by Editions Mistral. This excerpt published with permission of the author and publisher. Drawing by Elise Genest. All rights reserved. No part of this book may be reproduced in any form without permission from the publisher.)
The First Month
September 2, 2013
I have now been at Lost Hollow Farm, home of the Pennsylvania Riding Academy, working with Paul and Andrea, for one month. I have not written until now because frankly, I have been A) exhausted, B) occasionally confused, and C) rather unsure just how to describe the experience. Lest that all sound terribly negative and discouraging, let me explain.
(© Kim Walnes 2018. Photographs are captured from the documentary film Riding for America: The Olympic Equestrian Team, directed by David Hoffman. NOTE FROM KIP MISTRAL: Please see details about the proposed new documentary film project about Kim’s remarkable career “The Mother Goose Project” on its Kickstarter campaign page. Only 15 days to go to successfully fund the campaign by Monday February 12, 2018! https://www.kickstarter.com/projects/932529734/the-mother-goose-project-wrkg-title-for-film-stage)
Whenever I sit down to watch David Hoffman’s brilliant and still applicable documentary Riding for America: The Olympic Equestrian Team with other folks, I always have them pause the DVD at the point where we are beginning Phase A. In the YouTube clip (https://www.youtube.com/watch?v=IgPuXg75ISk&feature=youtu.be ), it is the opening scene. I feel it’s essential for people watching to understand what is taking place when The Gray Goose dances during the countdown and I begin to talk to him as we cross the Start Line upon the word “Go!”.
(© 2108 Kip Mistral. All Rights Reserved.)
One soft spring morning long ago, air perfumed with the fragrant blossoms of our home’s citrus orchard, I stood with my back to the living room screen door I had left open as I concentrated on a phone conversation with my mother. Yes, I assured her; I had finished vacuuming the house and was now shaking rugs on the back porch. Suddenly, I felt warm breath on the back of my neck. I froze in fear—I knew I was alone in our house! Dropping the phone, I shrieked as I whipped around to face the intruder.
(© by Kim Walnes 2017. Photograph by Elizabeth Preznikoff.)
I have always loved this photo. It speaks to something in the heart…that dream all us horse girls have had of the winged white horse who comes to us, invites us to mount, and carries us off through the air to the fulfillment of all our wishes.
The Gray Goose might as well have had wings…I’ve never sat on such immense yet smooth power. His long back made the ride comfortable, and he didn’t have any trouble jumping over pretty much anything that came in his path. When he left out strides, which we both loved to do, it truly was like flying.