(© By Kip Mistral. First published in Equine Journal July, 2007. Photograph Courtesy of Premier Equestrian.)
“Now…we take up the reins very carefully,” Walter Zettl speaks softly into the microphone. “The mouth is the most sensitive part. Softer…softer.” Here at one of Zettl’s winter clinics in Tucson, Arizona, the rider has been walking her horse on the buckle during one of the frequent breaks for the horse. We are all comrades in escaping the desert sun, and those of us observing have joined Zettl under the canopy where he sits to instruct.
(© By Kip Mistral. First printed in Equine Journal May 2007. Photographs by Frédéric Chéhu unless otherwise noted. Feature photo credit unknown.)
It is a beautiful fall morning at Le Fief de la Panetière, the 16th century estate and equestrian facility near Versailles that Michel Henriquet shares with his wife, Catherine Durand Henriquet. My Dutch friend, Ellen Schuthof, and I are spending a couple of days watching lessons given by Michel and Catherine in both the lovely outdoor court and the indoor manège. This is my second visit to the Henriquets and as in the year before, I am struck by the collection, balance and suppleness of the horses trained by Michel and Catherine.
(© By Tye MacDonald 2017.) I don’t remember the first time I saw a horse. It was probably before I could talk, as their look, smell, and feel has always been familiar. I remember watching horses running in a pasture as a little boy and feeling something hard to put…
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(© By Kip Mistral. First published in Equine Journal, October 2005. Feature photo credit Frédéric Chehu.)
“It is disappearing,” Michel Henriquet says quietly, looking across his dining table with a level expression that hints of sadness. It is the end of a day of talk about the rich history of “high” equitation in Europe. Pale mid-afternoon light filters through the ancient windows of Fief de la Panetière, the venerable 16th century house that he shares with his wife, Olympic and international Grand Prix champion Catherine Durand. The company has lingered long over the end of a superb luncheon while Henriquet speaks of the future of equestrian art.