Recent Posts

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    The Great Unities and Why We Must Keep Them Alive
  • Operation Cowboy: The American Contribution to Austrian Equestrian Culture

    Operation Cowboy: The American Contribution to Austrian Equestrian Culture
  • Back to the Future: Why Classical Training is Still the Gold Standard

    Back to the Future: Why Classical Training is Still the Gold Standard
  • Pierre-Marie Vicomte D’Abzac de SARRAZAC, Ecuyer of Kings

    Pierre-Marie Vicomte D’Abzac de SARRAZAC, Ecuyer of Kings
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    School of Versailles: The “Continuum”
  • “Caballos Con Arte”: Pure Blood Reflections with Peter Müller Peter

    “Caballos Con Arte”: Pure Blood Reflections with Peter Müller Peter

Kip Mistral: On Creating a Horse-Human Partnership

Kip Mistral: On Creating a Horse-Human Partnership

(© Kip Mistral 2018. Horsewoman Petting Dog by Alfred de Dreux.)

Recently I was asked by the lovely folks at www.horsesandfoals.com to contribute to their “expert roundup” to answer the following two questions:

1. How do you bond with your horse so that you can get him/her to trust you? and 2. What is your best tip for bonding with a new horse?

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“Horseman Pass By”: Riding the Wild Atlantic Way in William Butler Yeats’ Ireland

“Horseman Pass By”: Riding the Wild Atlantic Way in William Butler Yeats’ Ireland
(© Kip Mistral 2018)
Cast a cold eye
On life, on death.
Horseman, pass by!
~ William Butler Yeats, from “Under Ben Bulben”

“Beaches, Dunes and Trails: This unguided ride is for experienced and resourceful horse people who are prepared to take all responsibility for themselves and their mounts for a week,” the description began…

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Paul Belasik: “The Grand Silence”

Paul Belasik: “The Grand Silence”

(© Paul Belasik, from “The Songs of Horses,” first published 1999. Reprinted with permission of the author and The Crowood Press. “Louis XV hunting deer in the forest of Saint Germain” by Jean-Baptiste Oudry. This story was inspired by the 18th century écuyer to King Louis XV, Louis Cazeau de Nestier, also called The Grand Silence. It is said that the rider on the grey horse on the left side of this painting is Nestier.)

Somewhere in the countryside near Paris, 1735…

It is ironic to say that I had heard of his great horsemanship, since he was known as the Grand Silence. I had seen him hunting near Paris, where I once had lived. I have to say that I thought of him then more as the Great Arrogance or the Great Pomposity. It was through the following twist of fate that I met him.

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John Keats: “La Belle Dame Sans Merci”

John Keats: “La Belle Dame Sans Merci”

(© John Keats (1795-1821), “La Belle Dame Sans Merci, 1818, 1821. Painting “La Belle Dame Sans Merci” by Sir Frank Dicksee (1853-1928))

Oh what can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has withered from the lake,
And no birds sing.

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John Richard Young: “The One-Sided Horse: Riders Make More One-Sided Horses Than Nature Does”

John Richard Young: “The One-Sided Horse: Riders Make More One-Sided Horses Than Nature Does”

(© John Richard Young, “The One-Sided Horse” first published in Arabian Horse Express, January 1992.)

A reader of this column writes: “How come you have never mentioned horses that have one-sided mouths, horses that just won’t take an even feel of the bit on both reins? They give easily to the rein on one side, but stiffly resist the opposite rein. They move forward with their necks more or less curved to one side, always the same side, and their heads slightly tilted so that their ears are not on the same level. What makes a horse move this way? What can be done to correct such a horse, beyond riding with the reins completely slack?”

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