Recent Posts

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    The Horse We Have in Our Stable is the Horse We Make
  • Sparkling Marie Antoinette: Irreverent Rider of Donkeys

    Sparkling Marie Antoinette: Irreverent Rider of Donkeys
  • The Vanishing Point of Lightness: Michel Henriquet on Equestrian Art

    The Vanishing Point of Lightness: Michel Henriquet on Equestrian Art
  • Music and Riding

    Music and Riding
  • Magnum Opus – Coming Q4/2024 & Q1-Q2/2025

    Magnum Opus – Coming Q4/2024 & Q1-Q2/2025
  • Glorious Horsemen: The Legendary School of Versailles and Its Legacy for Equitation …

    Glorious Horsemen: The Legendary School of Versailles and Its Legacy for Equitation Today

François Robichon de La Guérinière on “Why There Are So Few Horsemen…”

François Robichon de La Guérinière on “Why There Are So Few Horsemen…”

In 1731, François Robichon de La Guérinière was complaining in his book “School of Horsemanship”, Chapter I “Why There Are So Few Horsemen & the Qualities Necessary to Become One”. Nearly 300 years later, we are asking the same questions! Here, his initial comments:

“All arts and sciences have principles and rules governing the methods resulting in those discoveries that lead to their perfection. The Cavalry [School of Horsemanship] is the only art for which it seems there is only need of practice; however, the practice, stripped of sound principles, is nothing more than routine that only results in a forced and uncertain performance and a false brilliance that fascinates the demi-connoisseurs, who are often amazed by the horse’s kindness, rather than by the rider’s skill. This is the reason for the small number of well-trained horses and the lack of ability presently seen in the majority of those people who call themselves horsemen.”

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Riding the Labyrinth with Valentín

Riding the Labyrinth with Valentín

(© Kip Mistral 2018)

The labyrinth is a archetypal symbol that has appeared in pan-global culture, art and literature for thousands of years. A formal labyrinth created for meditation appears to meander in circles, but in reality is a purposeful path that focuses our attention in a powerful way on a personal pilgrimage experience. The word labyrinth can also describe a place, as in a garden maze, full of intricate paths and blind alleys, or as in the myth of the Minotaur, who is found in a labyrinth of tunnels and chambers on the island of Crete in Greece. Finally, it can be used to describe something extremely complex, intricate, confusing, and even tortuous. And why would I use that word in the title of a blog post that also includes the word “riding” and the name of my beloved Valentín (Val for short)?

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Kip Mistral: On Creating a Horse-Human Partnership

Kip Mistral: On Creating a Horse-Human Partnership

(© Kip Mistral 2018. Horsewoman Petting Dog by Alfred de Dreux.)

Recently I was asked by the lovely folks at www.horsesandfoals.com to contribute to their “expert roundup” to answer the following two questions:

1. How do you bond with your horse so that you can get him/her to trust you? and 2. What is your best tip for bonding with a new horse?

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“Horseman Pass By”: Riding the Wild Atlantic Way in William Butler Yeats’ Ireland

“Horseman Pass By”: Riding the Wild Atlantic Way in William Butler Yeats’ Ireland
(© Kip Mistral 2018)
Cast a cold eye
On life, on death.
Horseman, pass by!
~ William Butler Yeats, from “Under Ben Bulben”

“Beaches, Dunes and Trails: This unguided ride is for experienced and resourceful horse people who are prepared to take all responsibility for themselves and their mounts for a week,” the description began…

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Paul Belasik: “The Grand Silence”

Paul Belasik: “The Grand Silence”

(© Paul Belasik, from “The Songs of Horses,” first published 1999. Reprinted with permission of the author and The Crowood Press. “Louis XV hunting deer in the forest of Saint Germain” by Jean-Baptiste Oudry. This story was inspired by the 18th century écuyer to King Louis XV, Louis Cazeau de Nestier, also called The Grand Silence. It is said that the rider on the grey horse on the left side of this painting is Nestier.)

Somewhere in the countryside near Paris, 1735…

It is ironic to say that I had heard of his great horsemanship, since he was known as the Grand Silence. I had seen him hunting near Paris, where I once had lived. I have to say that I thought of him then more as the Great Arrogance or the Great Pomposity. It was through the following twist of fate that I met him.

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