Recent Posts

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    Sparkling Marie Antoinette: Irreverent Rider of Donkeys
  • The Vanishing Point of Lightness: Michel Henriquet on Equestrian Art

    The Vanishing Point of Lightness: Michel Henriquet on Equestrian Art
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    Music and Riding
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    Glorious Horsemen: The Legendary School of Versailles and Its Legacy for Equitation Today
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The Adventures of Amerigo: Flying White Horse of Sinterklaas

The Adventures of Amerigo: Flying White Horse of Sinterklaas

(© 2017 Kip Mistral.)

Strictly speaking, this post about the flying white horse Amerigo, who makes the overnight gift deliveries of the Dutch and Belgian holiday character “Sinterklaas” possible, is belated as Amerigo does his thing on December 5th. But having just found out about him, I wanted to share a little bit of the story since after a lifetime of being used to nine reindeer pulling Santa Claus’ sleigh, seeing the image of a horse standing on a roof gable was utterly charming.

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Manolo Mendez on Pirouette (Part I of III): Principles of Training the Walk Pirouette

Manolo Mendez on Pirouette (Part I of III): Principles of Training the Walk Pirouette

(© Manolo Mendez and Caroline Larrouilh. First published Baroque Horse Magazine, July 31, 2013. Image Courtesy Manolo Mendez Dressage.)

A correctly executed pirouette is a thing of beauty, a perfect storm of collection, impulsion, suppleness, strength and balance. At canter, it is one of the most physically demanding movements we can ask of our horse. It is a test of a trainer’s ability to develop self-carriage and a horse that is completely attentive and responsive to the aids…a horse filled with power and expression, yet focused and tension-free.

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Sir Alfred James Munnings: Genius of British Romantic Equestrian Art

Sir Alfred James Munnings: Genius of British Romantic Equestrian Art

2017 Kip Mistral. Featured image, The Clark Sisters, by Alfred Munnings. All images copyright estate of Sir Alfred Munnings, All rights reserved, DACS.)

Having recently discovered the prolific British Romantic art of Sir Alfred James Munnings (1878-1959) which ironically focuses on the kind of sunlit and backlit Edwardian idyllic pastoral countryside equestrian activities that I wish I could enjoy myself, out of curiosity I began to look into his long and interesting life. As a young man Munnings roamed his native countryside painting gypsies, horse fairs and races and hunt scenes with riders and packs of hounds. He later served Britain as a WWI war artist and thereafter roved the world documenting the mostly equestrian lifestyles of aristocratic and wealthy patrons. Munnings was lionized on both sides of the Atlantic as the finest equestrian artist, his friends including Sir Winston Churchill and any number of the highest-ranking persons in society and industry of the time. Today his paintings sell in the $7-8M range. But this is a man who made his way to a knighthood by his passion for horses and the outdoors, and a whole lot of hard work.

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Roy Allen Yates: Step Aside…Teaching Your Horse Lateral Movement

Roy Allen Yates: Step Aside…Teaching Your Horse Lateral Movement

(NOTES FROM KM: Western master of lightness Roy Allen Yates (1930-2010) rode into my awareness on his QH stallion Tidys Chirp in San Juan Capistrano almost 20 years ago. He was giving a weekend clinic and it was an eye opener for certain. Trained by Roy, Tidys Chirp happened to be an AQHA Performance Champion with Superior Awards in Reining, Western Riding and Western Pleasure as well as a Register of Merit in Trail. At that time, Tidys Chirp held (and still may hold) the world record for the longest sliding stop of 66 feet. In a western saddle and western curb bridle, first Roy did a demonstration of reining and then he put Tidys Chirp to the sliding stop. They kept sliding and sliding until I thought they might go out the arena on the other end. Roy then excused himself for a 10-minute break, and to our amazement re-entered the arena on a proudly prancing Tidy’s Chirp tacked up in a dressage saddle, double bridle and dressage whip, and together they treated us to a demonstration of classical dressage, although I didn’t know what that was at the time. The horse was in perfect self-carriage, which I also didn’t know anything about at the time.)

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Charles Owen Williamson on Collection: From Range-bred Broncs to High School Dressage

Charles Owen Williamson on Collection: From Range-bred Broncs to High School Dressage

[CONTEXTUAL NOTES FROM KM: Charles Owen Williamson’s name (1894-1977) was on everyone’s lips through the 1950’s, 1960’s and 1970’s as the “go-to” Western trainer and instructor for riding across the disciplines. “Dr. Williamson is that rarity of rarities-a Western horseman who has had a wealth of experience in handling ‘wild’ horses, range-bred broncs, and yet understands the benefits of elementary, secondary and superior dressage, and can put them effectively to work. No theorist, he has spent a lifetime practicing what he teaches,” explains some of the flap text on his famous book “Breaking and Training the Stock Horse (and teaching basic principles of dressage)”. (First published in 1950. My copy is sixth edition published 1976, Charles O. Williamson, Hamilton, Montana. Illustrations by Carl Hoobing and Sherman Hayes.)

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