(Horsewoman with a Red Horse, Marc Chagall)
“To write a great book, you must first become the book.” ~ Naval Ravikant
When I read this quote this morning, immediately my horse-loving mind turned it around into something about the horse, because really, what Ravikant said is true of anything. So this is a great thought, to me…”To become a great rider, you must first become the horse.”
[© 2021 Kip Mistral. Eugène-Louis Lami (1800-1890) “Un Manège”: gouache, 1878]
Since it first floated by me, I have loved this charming painting of riders and noise-desensitizing helpers carrying on in a small manège somewhere in time. The drummer is taking a rest, the trainer is comforting his horse in the pillars. A young couple are managing to court in the middle of it all as the amazones and cavaliers continue their tight circles together on their supercharged horses. I had the brilliant idea of doing a reverse image search for it, and found one instance of it on the entire internet. Yet that was enough to find the artist’s name and further search unexpectedly unlocked a whole treasure trove of equestrian art.
Ferdinand II of Spain in a letter of May 23, 1498 to the Marquis of Mantua:
“To answer here what you asked me, that is to say, whether it is necessary that a well-trained horse should obey both the leg and the hand as if, without the repeated action of the hand or the leg, one could not direct all the operations decided by the Cavalier; while you have also seen horses evolve without any help with the firm legs of the rider which seemed immobile, and still others who guided their horse very well without the help of their legs.
[“Oliveira Shows His Art of Riding,” by Elizabeth Polling, Horse and Hound, November 1987.]
SEVEN HUNDRED enthusiasts drawn from all walks of the equestrian world gave a standing ovation to Nuno Oliveira following a day of equestrian artistry at New Hall Riding Centre near Chelmsford, Essex.