(© John Richard Young, “The One-Sided Horse” first published in Arabian Horse Express, January 1992.)
A reader of this column writes: “How come you have never mentioned horses that have one-sided mouths, horses that just won’t take an even feel of the bit on both reins? They give easily to the rein on one side, but stiffly resist the opposite rein. They move forward with their necks more or less curved to one side, always the same side, and their heads slightly tilted so that their ears are not on the same level. What makes a horse move this way? What can be done to correct such a horse, beyond riding with the reins completely slack?”
(@ 2003-2018 Lynne Sprinsky Echols. This excerpt from Chapter One is used with the author’s permission and and the entirety will be posted in a series. The author describes in fascinating detail the three months that, along with her friend Meredith, she spent in intensive training with Herr Egon von Neindorff at his world-renowned riding school in Karlsruhe, Germany…in search of “a good seat”. Feature image “The Imperial Riding School” (1702) by Johann Georg Hamilton.) See Part II here: https://www.kipmistral.com/a-good-seat-three-months-at-the-riding-institute-von-neindorff-by-lynne-sprinsky-echols-part-ii-in-the-series/ and see Part III here: https://www.kipmistral.com/a-good-seat-three-months-at-the-riding-institute-von-neindorff-by-lynne-sprinsky-echols-part-iii-in-the-series/.
Saturday, February 1, 2003
We arrived in Karlsruhe at almost midnight yesterday. We’d been up for 48 hours straight and were cold, tired and hungry by the time we finally got to bed. The trip did not go smoothly – and that’s an understatement!
(© Jim Reilly 2007. Reprinted with the permission of the author. Artist Carle Vernet, 19th century lithograph by G. Engelmann, 18 Rue Cassette in Paris)
Our horses will do everything for us when we show them through the correct aids, given at the right moment. The best aids will not be successful if they are not given at the right moment. ~ Walter Zettl
(© 2011 Manolo Mendez Dressage. “The Importance of Riding the Whole Horse: Supple and Tension Free” by Manolo Mendez with Caroline Larrouilh. First published in The Baroque Horse. All photos by Kate Barber, artistic rendering of feature photo by Danielle Skerman).
“Bring the back up, bring the back up!!!”“Drive the hind leg under, more, more, MORE!” and “Make him more round, rounder” appears to be considered by a lot of riders to be the three keys to dressage. To achieve these goals they are taught to put the horse in a frame by pulling on the outside rein while kicking with the inside leg, often while keeping the horse in endless shoulder fore or shoulder-in. Instead of a flexible, supple and tension free horse, this approach creates stiff and crooked horses, with little enjoyment for their work, and eventually leads to soundness issues.
Where would we be without the generosity, courage, and friendship (and sacrifice) of the horse?