(© Kip Mistral 2020. Painting by Alexander Pock 1940, Spanish Riding School Levade.)
When as a child I first read Marguerite Henry’s wonderful book about the Spanish Riding School in Vienna, titled “The White Stallion of Lipizza,” equally wonderfully illustrated by her creative partner Wesley Dennis, I was fascinated with the idea of a supremely orderly program of learning and teaching a venerable and highly cultivated horsemanship.
This was no haphazard affair like the way my friends and I learned to ride…we were told to get on, kick to go, pull back on the reins to stop and neck rein. Then off we tore with our kind-hearted and forbearing mounts, all asses and elbows for too long as we learned the hard way.
(Photographer unknown. Colorization by Kip Mistral.)
What is the story behind this old photograph? Let’s write it together…leave your version in a comment!
(Costume design for a carrousel of King Louis XIV from the studio of Jean Bérain 1640-1711)
Kipmistral.com is going on a short sabbatical while Kip and Val are moving to Tucson in the beginning of July **AND** expanding the website platform to include regularly scheduled articles, book and video reviews, short film creations, recordings, podcast interviews with today’s classical masters and other persons of the highest calibre of expertise, and new products. If you are not sure that you have joined the email list, please do! Your entry will not be duplicated in the event you have joined previously. I will soon have lots of news for you. Happy Trails for now!
(© Kip Mistral 2019. “Fragments from the Writings of Max Ritter von Weyrother, Austrian Imperial and Royal Oberbereiter,” published by Xenophon Press, 2017. Images and quotations from within are used with permission of the publisher. Image detail from Courbette by Ludwig Koch 1866-1934)
Maximillian Ritter von Weyrother (1783–1833) was Chief Rider of the Spanish Riding School in Vienna from 1813, and Director from 1814 to 1833. And why should we care to read a book of his writing fragments, you might ask. Is he just one more riding master in the cavalcade of horses and riders through time who codified his personal embrace of equestrian art? The answer would be no.
(© Kip Mistral 2019. Detail from the “Apotheosis of Kaiser Wilhem” by Ferdinand Keller, 1888. National Gallery, Berlin)
Everyone knows, on an archetypal level, that anyone riding a white horse in a movie is a good guy and anyone riding a black horse is a bad guy. Why is that? Why is Pegasus white and why is the Unicorn white? Why is the horse the King rides so often white? Well, white is the color identified with the qualities of purity and nobility, and also it just so happens that real white horses are extremely rare…literally, the pearl of great price.