“Dressage for No Country”: Paul Belasik on ‘The Spanish Riding School’

“Dressage for No Country”: Paul Belasik on ‘The Spanish Riding School’

(This excerpt from “Dressage for No Country” by Paul Belasik–available April 15, 2019–has been made available by its publisher, Trafalgar Square Books. The excerpt describes Belasik’s visit to the Spanish Riding School in the 1990’s.)

I would not be late, so I planned to arrive in Vienna early the day before I was to meet with Kottas. The plane connections all went smoothly. Kottas had arranged for a room, as he said, in a pension near the Spanish Riding School, nestled in the heart of the historic city, and after I settled in, I went out to wander. Vienna was beautiful in the fall, already cold enough to warrant a coat. The city looked palatial. I walked over to the school so I would know where to go the next day. It was headed toward evening, and the city glowed in a warm yellow light; the majestic buildings, the shops with perfect pastries, the whole place felt like classical music. It was imposing but somehow not martial. That night I had a hard time sleeping. I thought I was coming down with something: I had cold sweats and chills like a fever. I called my wife, and she calmed me down. By morning I was fine—it was all nerves.

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“Ode to the Horse” by Ronald Duncan

“Ode to the Horse” by Ronald Duncan

(Poem @ Ronald Duncan Estate. Painting “The Horse Fair” by Rosa Bonheur 1883-1885)

The Horse

Where in this wide world can
man find nobility without pride,
friendship without envy or beauty
without vanity? Here, where
grace is laced with muscle, and
strength by gentleness confined.

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“The Blood is Made Pure”: Disbrow & Co’s Boston Riding School Circa 1852 and the Health-Giving Properties of the Arts of Equitation

“The Blood is Made Pure”: Disbrow & Co’s Boston Riding School Circa 1852 and the Health-Giving Properties of the Arts of Equitation

(© 1852 Gleason’s Pictorial Drawing Room Companion. Wood engraving image caption: “Interior View of Disbrow & Cos Riding School, 415 Washington Street, Boston”; Image credit is due Mark Renger at Sewickley Gallery at www.sewickleygallery.com, for the beautiful hand-colored version of this originally black/white publication.)

“Herewith we present a correct representation of the new, large, central and commodious Riding School of D. R. Disbrow & Co, one of the most ably conducted and popular equestrian academies in the United States, and excelled by none, either in reputation, elegant accommodations, or the skill and system by which the art of horsemanship is taught.” View Post

Washington Square Park NYC in the Winter 1897 – Fernand Harvey Lungren

Washington Square Park NYC in the Winter 1897 – Fernand Harvey Lungren

If you read about Washington Square Park in New York City today, you certainly won’t see images like this which was painted in 1897. Still the days of horse-drawn conveyances, we see dusk settling in on a day that has seen fresh snowfall. The Washington Square Arch looms in the background. The streets and the park are still clean and white and fresh, and people are busy setting out for their evening excursion. I imagine it is a Saturday night…the gentlemen are in top hats and the ladies dressed in refinement. Is that group of three young women giggling as they pass the carriage? The horse is certainly watching something. The couple with their backs to us are waiting for their cab. The scene looks cold but strangely cozy. What do you see?

Like a Magic Crucible

Like a Magic Crucible

(© Text by Don Juan Gómez-Cuétara. Detail of painting by Diego Rodríguez de Silva y Velázquez Felipe III, King of Spain 1634-35)

Like a magic crucible, wherein history and art are fused, the Spanish horse, our partner in love and grief, slave to our glory, is a horse at once fiery and docile, whose proud neigh proclaims to the world the beauty of his race, pride of men who are not prepared to abandon chivalry, dream of young men who refuse to accept a way of life which holds no place for him.

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